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Showing posts from April, 2014

Sampai jumpa, Indonesia

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After three years and a lot of fried tofu, I am this weekend leaving Jakarta to return to Australia. It's been a fantastic time here, full of new friends and new experiences. But the time is right to pulang kampung for a new challenge. Before I head down the tollroad to Soekarno-Hatta one last time, I offer up a collection of observations about Indonesia - where it is, and where it's going. - The facade of democracy is in place, but it still lacks form. At first glance, Indonesia has all the institutions of democracy - a phalanx of political parties, regular free elections, a free press and an active civil society. Most importantly, just about everyone recognises that it's the only game in town when it comes to accessing political power. But on closer inspection it becomes evident that these institutions sometimes fail in practice to fulfill their purpose - political parties are personality-driven rather than policy-driven, bribes are used to woo voters, major

10 Jakarta hotspots that shine a light on the independence era

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Jakarta has plenty to offer history buffs. For people keen to understand what the city was like from its founding in 1527 until the Dutch finally gave up their claim in 1949, there is an impressive array of sites that convey the colonial grandeur. Visitors can check out the cargo ships docked in Sunda Kelapa harbour, or the old immigration office that's now the luxurious Kunstkring Paleis restaurant and gallery in Cikini, or the Gedung Kesenian Jakarta concert hall in Pasar Baru. While many of the colonial buildings are crumbling, others have been lovingly maintained. But the city also has a rich legacy from its more recent past. Indonesia has a fascinating history from the time of the rebellion against colonial masters through the socialist Guided Democracy of Sukarno, the authoritarian New Order of Suharto and the chaotic creativity of Reformasi. Each of these eras has left a mark on the city, both in the way they have shaped the thinking of its citizens, and in the statues, gr